Wednesday, May 18, 2016

Listening Journal: Orfeo de Euridice by Cristoph Willibald Gluck (Act II Scene I: Ballo)

For this listening journal, I am analyzing the Ballo within Act II Scene I of Orfeo de Euridice by Cristoph Willibald Gluck. A recording is provided below:

Instrumentation:

  • Full orchestra including:
    • Violin I
    • Violin II
    • Viola
    • Cello
    • Violoncello e Basso (Cembalo)
    • Oboe I
    • Oboe II (?)
    • French Horn (?) 

Meter/Tempo/Rhythm:

  • Clearly duple simple, 4/4 (emphasis on downbeats)
  • VERY slow tempo - lower end of adagio/higher end of largo
  • Rhythm is fairly straightforward, every note (except for the leading sixteenth notes) falls on a main beat 
  • No syncopation

Melody:

  • The melody is very clear throughout, as it is shared by most of the parts
  • Conjunct, there really aren't any huge leaps except for the ends of each phrase in the last two eighth notes (jump a 7th?)
  • Sections A and A' seem to lack dynamic contrast and are simply forte throughout
  • In Section B, there is a lot of dynamic contrast (jumping quickly back and forth between forte and piano)

Texture:

  • Largely homophonic, with the melody in the upper voices (oboe, violin) 
  • Some parts monophonic, like the beginning of each phrase

Tonality:

  • Overall clear minor tonality
  • Chromaticism within the key (look at eighth notes at the end of first two phrases for examples)
  • Suspensions present in B (?) 

Structure:

  • This piece can be broken down into three main sections:
    • A (0:00-0:21)
    • A' (0:21-0:43)
    • B (0:43-1:30)
  • Sections A and A' are identical but for the fact that A' is a whole step above A. 
  • Section B is similar to A and A' except it is less monophonic, and the suspensions make it sound a bit like parts are running over each other, creating dissonance and a less clear statement of the melody